What Does the Fence Represent in Frences Essay Example for Free

What Does the Fence Represent in Frences Essay In reality, people have certain things that they carry around or have in their homes that will give them what they need to be in a comforting state of mind. In the play Fences by August Wilson, this item happens to literally be a partially built fence around a dirt yard with a raggedy looking house in the center of it. Each family member sees the fence a little differently and provides a certain symbolic perspective on what it has to do with their family. Cory, who is Troy and Rose’s son, sees this fence as just another chore that his mom and dad are constantly making him go out of his way to help build and complete this fence. He doesn’t necessarily have much meaning behind how he sees it, but just gets annoyed when his parents ask him to help build it. In connection to this, Troy states to Cory, â€Å"Your first chore is to help me with this fence on Saturday. Everything else comes after that† (Wilson 31). Instead of going to football practice, Troy is making Cory help him build this fence. Troy wants Cory to work hard and have a good future, and by not letting him play football, he’ll have a better sense on knowledge in the real world. On the other hand, Cory’s mom Rose has a different perspective on it. She states, â€Å"Jesus, be a fence around me every day. Jesus, I want you to protect me as I travel on my way† (Wilson 21). Rose sees the fence as a holy protective shield amongst herself, her house, and her family. She will feel safe when she sees the fence being built and protecting her from this. Finally, Troy takes much pride in this fence, which is why he always is working on it or having Cory help him with it. Since the fence takes ultimately ten years to finally be completed, it symbolizes the partially built factor. The fence represents a wall that hold it’s the family and keeps unwanted things out. However since it is only partially built, problems are still probable to come in and invade their family.

Celeron or Pentium II? :: Research Papers

Celeron or Pentium II? The computer industry is flourishing because of the advent of new, powerful processors. Recently, Intel Corp. released its Pentium II-450 MHz chip: the fastest processor on the planet. But because the chip is overpriced, Intel is also marketing the downgraded version of a PII, the inexpensive Celeron-333 which has a 128K cache compared to the PII’s 512K cache. To potential computer buyers, this situation presents a dilemma because they must decide whether to opt for price (i.e. buy the Celeron) or speed (i.e. buy the PII-450). In an attempt to answer this question, Lincoln Spector of PC World and Christopher Yates of PC Week analyze the two chips in their articles entitled "Double Feature" and "Intel Celeron Cache in With New Power," published in October and August of 1998 respectively. In this paper, a rhetorical and discourse analysis will be performed on the two articles to examine the similar and different strategies used by Spector and Yates in presenting their argum ents. The strategies will determine which article is more convincing. Since the articles are present in magazines that pertain to the genre of computer and computer writing, it is first also necessary to analyze the genre. Comparing and contrasting the magazines can obtain an introduction to the way material is presented and organized. The criteria for the analysis include the types of articles present in the magazines. In addition, analyzing the sources of evidence used to support the claims can provide crucial information to the kinds of appeals (i.e. logos, ethos, or pathos) used by the authors writing in the genre of computer writing. Other similar factors such as article length, ads, and the advertisers can also be examined. But the demographic data of the magazines is of utmost importance because it describes the audience and thus, defines the way authors write for their audience. PC World and PC Week have a circulation of 1,125,000 and 305,443 respectively. The former is published monthly and the latter is printed weekly. Eighty-eight percent of the audience of PC World is male and the remainder is female, with ages ranging from 25 to 54 years. Thirteen percent of both magazines' readers are employed by the computer industry, while 59% of PC World's compared to 13% of PC Week's readers work in some sort of management (SRDS 445). Celeron or Pentium II? :: Research Papers Celeron or Pentium II? The computer industry is flourishing because of the advent of new, powerful processors. Recently, Intel Corp. released its Pentium II-450 MHz chip: the fastest processor on the planet. But because the chip is overpriced, Intel is also marketing the downgraded version of a PII, the inexpensive Celeron-333 which has a 128K cache compared to the PII’s 512K cache. To potential computer buyers, this situation presents a dilemma because they must decide whether to opt for price (i.e. buy the Celeron) or speed (i.e. buy the PII-450). In an attempt to answer this question, Lincoln Spector of PC World and Christopher Yates of PC Week analyze the two chips in their articles entitled "Double Feature" and "Intel Celeron Cache in With New Power," published in October and August of 1998 respectively. In this paper, a rhetorical and discourse analysis will be performed on the two articles to examine the similar and different strategies used by Spector and Yates in presenting their argum ents. The strategies will determine which article is more convincing. Since the articles are present in magazines that pertain to the genre of computer and computer writing, it is first also necessary to analyze the genre. Comparing and contrasting the magazines can obtain an introduction to the way material is presented and organized. The criteria for the analysis include the types of articles present in the magazines. In addition, analyzing the sources of evidence used to support the claims can provide crucial information to the kinds of appeals (i.e. logos, ethos, or pathos) used by the authors writing in the genre of computer writing. Other similar factors such as article length, ads, and the advertisers can also be examined. But the demographic data of the magazines is of utmost importance because it describes the audience and thus, defines the way authors write for their audience. PC World and PC Week have a circulation of 1,125,000 and 305,443 respectively. The former is published monthly and the latter is printed weekly. Eighty-eight percent of the audience of PC World is male and the remainder is female, with ages ranging from 25 to 54 years. Thirteen percent of both magazines' readers are employed by the computer industry, while 59% of PC World's compared to 13% of PC Week's readers work in some sort of management (SRDS 445).

Film Noir to Neo Noir

Murphy 1 Rachel Murphy Professor Charlotte E. Howell Film 2700 12 November 2012 Word Count: 1411 Film Noir to Neo-Noir: A Shift in Cultural Tides Film noir of the 1940s captivated audiences through its distinct form of storytelling. Strongly influenced by German Expressionism, these films have a definitive look and style that still resonates with modern audiences today. Like other classical Hollywood genres, film noir sought to bring to light tensions felt within society, namely those that affected men following World War II.Neo-noir films pay a great deal less attention to social commentary. Like film noir of the past, neo-noir elevates style over narrative; however, the genre has seen significant changes in regards to narrative, the disappearance of the femme fatale, and the prevalence of onscreen violence due to shifting cultural tides. In observing examples of film noir and its contemporary version, neo-noir, it is clear several elements in regards to the style and overall  "feel† of these films have virtually remained the same throughout the years.In Nicolas Winding Refn’s neo-noir, Drive, a sense of otherworldliness is portrayed through several night scenes, intense shadows, and an overall dark rather downtrodden mood to the film. The scenes in the film take place at night and invariably in an urban setting. All of these elements are Murphy 2 extremely typical of classic film noir as well as German Expressionism. Drive’s narrative unfolds with surprisingly little dialogue. Instead Refn focused scenes on the mood, further strengthening the style of the film. Similarly, Curtis Hanson’s L. A.Confidential keeps with traditional film noir in elevating the style of the movie above its narrative. This is done through the heavy emphasis of the urban cityscape. As the title suggests, Los Angeles, is a major component within the film. The peppy, orange-filled paradise portrayal of L. A. in the film’s opening scene sharply cont rasts the corrupt, crime-ridden town shown throughout the rest of the film. In addition, voice-overs and flashbacks, typical elements of film noir, are extensively used. The genre has seen great changes in regards to its social commentary, however.Noir films of the 1940s strongly reflected the social climate of the time. In several respects, film noir can be seen as the male equivalent to melodrama. Just as women dealt with the crisis of femininity in post-war years, men also struggled with their masculinity as well as adjusting to their new roles in an ever-changing society. After World War II, many Americans, especially men who had experienced the atrocities of war firsthand, took on a more cynical outlook on the world. Film noir of the 1940s sought to bring these feelings of isolation and changing attitudes to light.Like many men returning from the war, the heroes were disenchanted and often very isolated. In many respects, their fate is predetermined. In Tay Garnett’s The Postman Always Rings Twice, the audience gains a sense that John Garfield’s character, Frank’s, fate is already sealed as soon as he first plots, and eventually carries out the murder of Cora’s husband. This action clearly serves as a marker in the downward spiral of Frank’s life. Similarly, in Billy Wilder’s Murphy 3 Double Indemnity, Fred MacMurray’s character, Walter, irrevocably alters the course of his life when he gives in to Phyllis’s pleas to murder her husband.In both of these instances, the motivation behind this clearly immoral acts is lust. Both protagonists seem somewhat helpless against these forces. Both films also end with little doubt as to the fate of the protagonists. In The Postman Always Rings Twice, the film ends with Frank awaiting his punishment on death row. Similarly, Wilder’s Double Indemnity ends with Walter, critically injured from a gunshot wound inflicted by Phyllis, confessing his role in her hu sband’s murder. This clearly reflects upon the attitudes of males during the 1940s as helpless against the imposing forces of an oppressive society.Neo-noir films differ from their film noir counterparts because they are no longer reflective on social and cultural tensions. This is simply because the tension is not as widespread or heavily felt in today’s society. In the ending of Refn’s Drive, the nameless driver, though stabbed in the abdomen, clearly lives. It left up to the viewer to decide what kind of life he will lead in the future. In Hanson’s L. A. Confidential, the future of the city is somewhat unclear, but both protagonists in the film are met with at least somewhat happy endings.The male protagonists in neo-noir films are also much more strong-willed. Their actions, though at times extreme, are seen as justified to the viewer and made by the protagonist alone. Unlike earlier noir films, the protagonists are at least somewhat in control of the ir future. This turn within the genre clearly reflects changing attitudes within society, as the helplessness and isolation men felt after the war is no longer felt on such a large scale. Murphy 4 The influence of culture on the content of noir films is especially evident in the disappearance of femme fatale in neo-noir films.The 1940s marked a major shift in gender roles with the start of World War II. As men left for war, women took up jobs in the workforce and in factories in order to help with the war effort. This brought about a new sense of independence for women. When men returned home from the war, however, this shift was not necessarily seen in a positive light. The emergence of the femme fatale in film noir clearly reflects that in the eyes of men, women’s changing roles in society often presented a threat to perceived masculinity as well as established gender roles of the day.The femme fatale of noir films is invariably portrayed in a negative light. She is in most cases seen as the major driving force behind the protagonist’s tragic end. Furthermore, the protagonist is usually helpless against the advances of these women. Femme fatales, such as Cora in The Postman Always Rings Twice and Phyllis in Double Indemnity, are almost always met with an end even more bleak than that of the protagonist. In these two films, the femme fatales are both killed with little thought. Neo-noir films, however, approach female characters in a much more favorable light.The relationships between protagonists and these women are based on love, rather than mere lust. Thus, the actions of the protagonists appear often more justified. This can be accredited to the changing cultural tides since the 1940s. Women’s independence is generally no longer seen as a threat to male masculinity and thus is virtually extinct thematically in neo noir films. This is especially evident in Drive as well. The nameless driver’s love interest, Irene, is characteriz ed by her innocence rather than her sexuality. Murphy 5 Even in L. A.Confidential, Lynn, a prostitute, has a relationship with one of the protagonists, however, the relationship is based on love rather than lust. Film noir arguably would not translate well to modern audiences if not for its integration of onscreen violence. Like German Expressionism, 1940s film noir drew a definitive reaction of discomfort and psychological unease from its audiences. In Double Indemnity, the scene in which Phyllis’s husband is murdered is brief and little is shown. The audience is shown only Phyllis’s cold, detached expression while her husband is murdered next to her in the passenger seat.In the 1940s, filmmakers didn’t necessarily need to show Phyllis’s husband being murdered in order to elicit a strong psychological reaction from audiences. With the abrogation of the Hay’s Code, however, audiences have become somewhat desensitized to the mere implication of viol ence. L. A. Confidential and Drive both use violence as a means of eliciting this same reaction. Perhaps the most memorable scene in Drive occurs in an elevator where the driver, in order to protect himself and Irene, not only kills a man, but proceeds to unleash all of his anger by stomping the man’s head into a gruesome, bloody pulp.In L. A. Confidential, numerous murder scenes and uncomfortable police interrogations illustrate how violence is now used in neo noir to elicit the strong emotional and psychological discomfort that typified 1940s noir. Certainly the strongest influence on the evolution of film noir has been societal and cultural changes throughout time. These changes have served, however, to maintain film noir’s relevance with contemporary audiences while still keeping with specific attention to the overall â€Å"feel† of the film and high level of stylization.

Analysis Of The Book Elie Wiesel - 1876 Words

Everyone sees the world through their perspective, their own personal view. Often when asked to describe ourselves we find it to be difficult since we can only focus on the appearance of others around us rather than ourselves. Throughout the book Elie Wiesel has given detailed descriptions of his father â€Å"How he had aged since last night! His body was completely twisted, shriveled up into himself. His eyes were glazed over, his lips parched, decayed. Everything about him expressed total exhaustion. His voice was damp from tears and snow† (Night, 88). This could possibly correlate to his physical appearance at the end of the book when he finally gives a description of himself saying â€Å"From the depths of the mirror, a corpses was contemplating me† (Night, 115). In the beginning of the book Elie was spending much of his time studying the Talmud and later one day, studying the Cabala. Elie started off as a little boy who had faith and innocence. At Auschwitz Elie and the other prisoners continued to work for long hours with very little food. They battled the cold from walking or running to different camps while also working throughout the day. Every week people would collapse from exhaustion one by one because the work load given was too much for them to handle. If any of them lost the strength to survive, they would be sent to the gas chambers also known as the crematoria or their body would be thrown into a pile of garbage. Elie Wiesel who at one point in his life had faith inShow MoreRelatedAnalysis Of The Book Night By Elie Wiesel945 Words   |  4 PagesElie Wiesel was born in 1928. In his book, Night, which was published in 1955, Wiesel depicts his personal journey through the German concentration camps by the use of his character Eliezer (Sparknotes). At the age of 15, he lives with his family in Sighet, Transylvania (Biography). His father Shlomo is very involved with the community there. Eliezer is deeply engaged in religious studies, being taught by Moshe, an older man in his community who is considered a lunatic by many (Sparknotes). InRead MoreAnalysis Of The Book Night By Elie Wiesel1778 Words   |  8 Pagesthis question, whether they have fully grasped their personality or not, and during that difficult time, even the things you thought you knew about yourself are challenged. In the memoir, Night, the author Elie Wiesel, presents the story of his own time in Auschwitz during the German Holocaust. Elie, being Jewish, was deported into concentration camps in Hitler’s final solution. He underwent such things as witnessing death for the first time, extreme exhaustion, inhumane treatment, and seeing peopleRead MoreAnalysis Of The Book Night By Elie Wiesel794 Words   |  4 Pages  Ã‚  Ã‚     Ã‚  Ã‚     Ã‚  Ã‚     Ã‚  Ã‚     Ã‚  Ã‚     Ã‚  Ã‚  Ã‚  Ã‚  McBride 1 Brandy McBride McAndrew ELA August 6, 2017   Ã‚  Ã‚     Ã‚  Ã‚     Ã‚  Ã‚     Ã‚  Ã‚     Ã‚  Ã‚     Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Night In the book Night by Elie Wiesel there are many instances where his use of imagery helps establish tone and purpose. For example Elie Wiesel used fire (sight) to represent just that. The fire helps prove that the tone is serious and mature. In no way did Wiesel try to lighten up the story about the concentration camps or the Nazis. His use of fire also helps show his purpose. â€Å"NeverRead MoreAnalysis Of The Book Night By Elie Wiesel1017 Words   |  5 PagesIn the book Night by Elie Wiesel it says â€Å"human suffering anywhere concerns men and women everywhere.† This shows that the world’s problems are everyone’s problems. Everyone has their own responsibilities and when war occurs people tend to take on more responsibility than ever before. The United States is a prime example of making the world’s problems their own. When problems arise people step up and take responsibility. Like in the quote from Elie Wiesel, human suffering really is everyone’s problemRead MoreAnalysis Of The Book Night By Elie Wiesel1367 Words   |  6 PagesNight is the detailed account of Elie Wiesel’s experiences as a Jew in Germany during the Holocaust. Night is considered a memoir, however, Wiesel uses fictional characters to tell his story. Eliezer acts as Wiesel’s author surrogate, a fictional character based on the author, and narrates the story. Over the course of the text Wiesel exposes the full face of the dehumanization perpetrated against the Jewish people. Through persuasive oration, Hitler was able to manipulate the Germans and justifyRead MoreNight By Elie Wiesel : Book Analysis708 Words   |  3 Pagescontinue. Majority of people stopped eating, gave up their religious faiths and hope, welcoming the darkness to embrace them. Surviving was a constant struggle for these people and the o nly way to overcome it was the acceptance of death. Night, by Elie Wiesel, is a memoir of the authors firsthand experience in the holocaust from his perspective as a teenage boy. The author includes concerns that individuals have, but never spoken aloud of, such as a home, family relations, and the effect this experienceRead MoreAnalysis Of The Book The 57 Books By Elie Wiesel2436 Words   |  10 PagesEXPOSITION: Night, in its original Yiddish form, was the first of the 57 books written by Elie Wiesel till date. The book titled Un di velt hot geshvign (And the World Remained Silent) in Yiddish, was published in abridged form in Buenos Aires, Brazil. Wiesel rewrote a shortened version of the manuscript in French, which was published as the 127-page La Nuit, and later translated into English as Night. The book gives a detailed and heart wrenching first person account of the activities that tookRead MoreAnalysis Of The Book Night By Elie Wiesel907 Words   |  4 Pages In the book Night written by Elie Wiesel was mainly about how a young boy had to suffer the traumatic experience of existence and fatality at Nazis concentration camps. In the book, Elie Wiesel was the character â€Å"Eliezer Wiesel†. Eliezer was a young boy at the age of fourteen who lived in Sighet, Transylvania. During the lead of World War II, Eliezer was an extremely earnest young boy who desired to examine and practice Jewish theology. He also occasionally spent a great deal of time and passionRead MoreAnalysis Of The Book Night By Elie Wiesel1216 Words   |  5 Pageswhen I first saw the book. The images that they title brought to my mind is someplace where there is no light, no happiness.When you think of night you clearly think of physical darkness but I think night symbolizes a place without God’s presence, somewhere where there s no hope. The emotions that this title brought to my mind is sadness. Sadness because once you are in the dark there is nothing y ou can do but wait. Wait on your destiny. The impression that the picture on the book gave me was very vagueRead MoreAnalysis Of The Book Night By Elie Wiesel1045 Words   |  5 PagesIn the memoir Night by Elie Wiesel, Elie Wiesel is a young boy who struggles to survive after being forced to live in the brutal concentration camp of Auschwitz. In Auschwitz, death and suffering is rampant, but due to compassionate words and actions from others, Elie is able to withstand these severe living conditions and overcome the risk of death in the unforgiving Auschwitz. As shown through the actions and words of characters in Night, compassion, the sympathetic pity for the suffering or misfortune